Lightsabers

August 14th, 2007

The long awaited lightsaber tutorial remake. Credit to Ryan Wieber and MasterZap for the methods combined here.


A few things of note, i failed to specify at the start of the tutorial how to duplicate layers; it’s ctrl+d. Also, if when going through your frames the handles on your bezier curves get a little muddled and elongated, which can be a pain to correct, ctrl+click to remove them, then ctrl+click again to reinstate them on every frame for the curve mask points and it’ll be a fast way of getting a nice clean curve back. Thanks again for that one MZ.



Visit the tutorial page to download the project file


lightsabers-rvb

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164 Responses to “Lightsabers”
  1. Bryan Says:

    How do you make contact flashes for the lightsabers?

  2. admin Says:

    They’re pretty simple. In AE, create a project with a massive comp so you can scale the flash to the size you want later, about 3 frames long.

    From here, it’s simply a case of creating a ‘big flash’ that starts large and fades out over the 3 frames. You can do this any number of ways, and depending on the complexity you’re after (i prefer orange-white flashes rather than flashes based off the colour of the saber) create something like a lens flare on a black background with a large flare brightness and animate it down.

    Render this as a .mov or something similar, and then just comp it over your footage where you need the flash, set it’s transfer mode to add or screen and scale it down appropriately.

  3. Ryan Says:

    hello im ryan

    When i makeing a lightsaber. after im done with the after layers and i bring the cores onto a new composition it dosent blackout everything likre yours. wat i mean is when i watch your video only the light saber is showing when u bring the core to a new compostion. mine shows the hole picture. when im on color balance and chose my colors and everything it makes the lightsaber and the hole picture change colors how do i fix this problem?

  4. admin Says:

    Hi Ryan

    When you move the comp into the new comp, what you need to do in the ‘cores’ composition is turn off (the ‘eye’ button) the top footage layer. This should be the first layer in the cores comp, it’s just for reference. The reason mine goes black and yours doesn’t is purely coincidental, as the first frame of mine is black anyway. Just be sure to turn off the top footage layer in the cores composition and you should be good to go ;)

    Hope this helps

  5. Ryan Says:

    this is ryan again

    when i said after layer i meant ajustment layers. but i tryed wat u said, and i clicked on the eye next to my footage in the compostion and when i did the color balance in the second compostion i clicked the eye and the hole compostion was the same color as the lightsaber. why on yopu video u didn’t click the eye next to yours?please help

  6. admin Says:

    Hi Ryan

    I do click the eye a little later in the video, i refer to it as the ‘reference layer’ i believe, i didn’t need to do it as early as you however just by a coincidence in the colour of my footage.

    However, what i said earlier should still work for you. You should have two footage layers in your cores comp, the one above the adjustment layers is the one you want to ‘turn off’. Then bring that comp into a new comp and start applying the colours, this should then apply colour to only the lightsabers.

    Hope this helps

  7. Ryan Says:

    ok it worked. thank you for your help.

  8. Christian Says:

    What program are you using?

  9. admin Says:

    Adobe After Effects, that’s all i do tutorials for at this time.

  10. John Says:

    Hi, I’m having trouble getting the tutorial to play correctly. When I get to about three and a half minutes through, the player just stops. Nothing I do seems to make it continue, do you have any suggestions?

  11. admin Says:

    Hi John

    I just played the video through to make sure it’s all working, getting no problems here.

    Possibly it might have been a high bandwidth half hour so your download may have been choked temporarily, might be worth trying again soon. Apart from that, i’d suggest making sure you’ve got the latest flash player and making sure you don’t have too many flash options disabled in your browser, or trying a different browser. If you’re cache has a file size limit it might be worth clearing that too.

    Hope some of this helps

  12. Tom Says:

    hmm…might be a dumb question but, how did you get to use a quicktime movie? I am using Adobe After Effects Professional 7 and I cannot import a quicktime movie.

  13. admin Says:

    Hi Tom

    Quicktime is pretty notorious for having problems in recent versions, i’ve seen countless After Effects related quicktime issues and standalone quicktime problems that people have had. My bet would be that you’re getting the same. You could always try installing the latest version of quicktime, but QT has a knack of leaving its imprint pretty heavily on your registry so it can become difficult to clear out old QT data with newer.

    Anyway, AE is perfectly capable of handling QT, if you’ve got a problem, i’m willing to bet it’s with your QT, not your AE.

  14. Rich Says:

    Hi witch version of AE did/do you use and would CS3 be ok to use to do this type of rotoscoping?

  15. admin Says:

    Hi Rich

    I use AE 7.0, CS3 should work fine.

  16. Rich Says:

    thanks for that also what is the best way that you found for an effective lightsaber power on and power off animation? nobody has covered it that i have seen anyway, and aslo what do you use to edit in all the sound effects thanks for your help it been usefull.

    Rich

  17. admin Says:

    Power off/on animations are simply about animating the size of the mask over a couple of frames. Most people do prop-removal at this point, generally with a fixed-down tripod with a clean background shot (no actor) then the full steady shot with actor igniting and prop, then you can ‘paint out’ the prop with the background plate as you go, while still having the prop in the frames you want to be able to draw your mask over. The other method is to do the shot with no prop and just eyeball where the mask should be.

    For sounds i’ll probably use Sony Vegas.

  18. Ryan Says:

    yea i need to know one more thing how do you inport my adobe after effect project into adobe premire

  19. admin Says:

    Hi Ryan

    i don’t use Premiere, but as far as i’m aware as an editing app you can’t ‘import’ an AE project file into it in its base form, of course you could always render it out in some format and import it as normal media for editing if you wish.

  20. Ryan Says:

    ok well i finished the video and on AE its blury and i am on the compostion that says final. the one you made in your video and i clicked on final then went to compostion, then went make a movie and this render queue thing came up. wat are the step to so from here on out to watch my video

  21. admin Says:

    Hi Ryan

    You’d have to describe in more detail your blurry problem.. regardless, i’ll probably upload the project file for people to look at soon to check their settings against.

    In the render queue, click on the output module and set up the video type to something like a Quicktime movie with a compression codec (something like Sorenson will work fine) and you should be good to go, select an output folder and hit render.

  22. Clayton Says:

    Hello. I am using CS3 and ALL the screen is being painted with saber’s color. =)
    The problem start after I create the adjustment layers. When I put blur effect on the layer, the whole screen begins to get the effect. And it keeps happening when I use balance color to paint the saber. My whole screen is red =P
    I really can’t figure out what is happening.

    btw, very nice tutorial. Thanx a lot for it. And thanx again if you help me with my little problem =)

  23. admin Says:

    Hi Clayton,

    My first guess would be that your mask isn’t ‘complete’. If you’re positioning your adjustment layers correctly, then i think the problem is that the nodes on your mask need to be connected and that maybe you’ve accidently missed connecting the last two nodes together. When this happens, the mask shape is incomplete and therefore not ‘contained’, so when you apply adjustment layers or colour balances instead of just the mask shape being blurred or coloured it still happens to the whole frame, as you’d expect if there were no mask at all. Try looking at your mask and making sure the shape is complete and be sure to precisely return to the original node when creating the mask.

    Hope that helps.

  24. Clayton Says:

    Helllo. Here is a screenshot of the movie: http://www.nalata.net/shot.jpg
    Looks like my nodes are well connected i’ve checked every frame). I don’t know what what you mean when you say ” If you’re positioning your adjustment layers correctly”. Maybe that is the problem, but I tried to do as you did in the tutorial. Maybe I lost some step?

    When making the blurs, the WHOLE screen became white. It happended when I changed the blend mode to screen on the adjustment layer, as you did.
    Then I choose “linear light” on the last adjustment layer (from top to bottom) and the image became fine and the buir was applied only in the saber. But I still can’t do the ame thing with the colors.

    I am new with AE and really don’t know hot solve this =(

    Thank you

  25. Clayton Says:

    After more than 12 hours trying I think (and hope) it worked. thank you for your help =)

  26. admin Says:

    Hi Clayton,

    If it was just with the colours i’d definitely know what your problem is; you need to turn off (with the eyeball on the left of the layer) the footage layer above the adjustment layer when you’re done with the rotoscoping composition. I do this in the video, but a little later on. If you go to your ‘final’ comp, at this point the footage layer in your roto comp above the adjustment layers should be turned off, so that it should look right in the final comp at this point.

    If you’re following the video through to the end then you shouldn’t be applying colour in the composition you’re showing me in the screenshot, that comp (if doing my whole method) would be just for blurs. The idea being that you roto on this comp and do the blurs, using the top footage layer as a reference guide which you turn off when you’re done rotoscoping, then you apply colour in the next comp, then you do the final comp where you bring the colour comp and footage together.

    Also be sure that you’re getting the transfer modes correctly. If you go to the tutorials link at the top of the page, scroll down to the lightsaber tutorial you’re using, you can actually download my project file which should help you out.

    Hope this helps

  27. Jerry Says:

    I am a student in high school and we are playing around with things trying to create a star wars movie too and at my home school we are importing camera footage onto iMac as .mov then i was going to take that footage off as a .mov file transfer that onto a windows Xp computer which has my AE on it and was wondering if it would work and if you can import .mov files into after effects and put lightsaber effects on them transfer it into a .wmv or another format or keep it as a .mov file to be shown in quicktime

  28. admin Says:

    Hi Jerry,

    Yes AE will manage fine with .mov on windows.

  29. SelmanAkinci Says:

    Hello i am selman… first of all thank you for this tutorial….. i spend a whole week on a particular subject. when you but the blur at the bottom where the video shows, my whole video blurs, or it has no affect at all. since i am using after effects7 it is whole lot diffrent buttons. i wish you had this version so you could create an updated tutorial. nice explanations thank you a lot. can you help me with my problem with blur? i use after effects 7

  30. admin Says:

    Hi Selman,

    The tutorial is done in AE 7, so it should be similar. My first advice would be to download the project file from the tutorials page to see if you can recognise your problem, but as mentioned above often if the whole video is blurring then your mask is incomplete. Make sure the mask layer is below the adjustment blur layers and your reference footage layer above the blur layers.

  31. SelmanAkinci Says:

    Thanks a lot, i downloaded your tutorial when it was ae5 or something, i never realized this was a new tutorial…… (i am one of your old tutorial fans :D ) i just had a new problem with tutorial about downloading the video.Is there anyway we can download the new tutorial, because it is way harder when it is online and it is a pain to stop because it wont start again….

  32. fredrik Says:

    Hi.
    Me and my friend just started making a saber fight, but do we really have to change the chape of the saber EVERY frame?
    there are 24 or something frames per s. 2 minutes of lightsabers turning and twisting thats gona take 2 weeks of work or so..

    is this the only whay?
    did they really do this in the starwars movies?

  33. admin Says:

    Hi,

    Selman: Ah that was the old 6.5 tutorial, glad you like it. You should be able to pause and restart the videos fine if you have the latest version of flash downloaded, if this is still a problem let me know.

    Fredrik: Almost every frame yes, the only way around not doing it every single frame is the method i show in the tutorial where you get AE to ‘guess’ intermediate frames and then tweak them. Yes, i’m afraid that’s exactly how they did it for the Star Wars films, each and every one. Some people take months to do the rotoscoping for their duels, the post vfx of RvD2 for example took over 5 months i believe.

    However, i could do 2 minutes in a solid evening’s work. When you get into your flow things speed up.

  34. SelmanAkinci Says:

    I checked my mask eight times, and started all over again but the problem is same, i clicked same buttons as you did step by step, but problem still! It is not really like blurring whole page, but whole comp becomes lighter when you try to blur the saber..
    http://img227.imageshack.us/img227/1828/picture2qa2.png
    http://img441.imageshack.us/img441/7320/picture1dc2.png
    http://img406.imageshack.us/img406/9222/picture3ta6.png
    Are you the one who made the very famous ryan vs dorkman movie? how did you do the cutting and, fire effects?

  35. admin Says:

    Hi Selman,

    One problem i can see straight away is that your bottom layer is dark gray, it needs to be PURE black, this may fix part or all of your problem. See if that helps.

  36. SelmanAkinci Says:

    Thanks for all your help, i i needed was to set the solid layer to pureblack that is all with the bluring problem, now i will search for a video lighning tutorial

    http://www.youtube.com/watch?v=fe76GvdA5eU

  37. admin Says:

    http://www.geocities.com/pixelmagic2002/forcelightningtutorial.html is a commonly used Force Lightning tutorial, it’s in text though.

    To answer your previous question, you may have seen me in the credits of RvD2 but i didn’t make it, check out ryanvsdorkman.com for details. I believe if you buy the dvd they’ll be revealing in detail tutorials on how to achieve the burn effects and so forth, although there are already some tutorials around on how to achieve this (it isn’t too difficult).

    Your video is cool, the rotoscoping is just off slightly in a couple of frames.

  38. kami Says:

    please help me for free tutorial after effect

  39. admin Says:

    Hi,

    What do you need help with?

  40. Flims By Tim Productions. Says:

    Heres a link that will save u alot of time and trouble when making this effects its as simple as the click of a button http://www.videocopilot.net/tutorials.html?id=40 just watch the vid he explains everything its alot easier then this although this might/probably gives alot better look but if ur looking to do something easy and quick for a client or something i sujest this RHY WORKS U PWN HARDCORE

  41. admin Says:

    Hi,

    We’ve checked out the Andrew Kramer method before, the general consensus from the experts at TFn was that it’s pretty decent if you’ve got a tonne of background sabers you need to do quickly, but for your main sabers it’s worth going with some kind of rotoscoping method.

  42. Ryan Says:

    hey do you know were i can get sound effects

  43. admin Says:

    Try

    http://www.theforce.net/fanfilms/postproduction/soundfx/saberfx_fergo.asp
    http://www.theforce.net/fanfilms/postproduction/soundfx/index.asp

  44. Ryan Says:

    one more thing. Whats a good program to put your footage in when your done editing it on After effects. Whats a good movie program to put in the sound effects and music and all my lightsaber clips together.

  45. admin Says:

    Hi Ryan,

    Try Sony Vegas, i think you can get a trial version and it’s often preferred to Premiere for new editors.

    Regards,

  46. Fletch Says:

    Can anybody recomend a good starter special effects kit that doesnt cost 999 bucks like the one he used lol? One that would preferably be able to do lightsabers?

  47. admin Says:

    Hi,

    Well, in terms of AE, it’s a commonly used piece of software for special effects. There isn’t really software aimed at the amateur film maker like you might find in other industries, unfortunately many people (whether they’re seriously trying to break into the industry or just enjoy making a lot of small scale films) end up shelling out for expensive software, and AE is kind of a standard. However, you don’t have to pay out massively for it, i believe there’s a students license which is a lot cheaper, and it is possible to buy it second hand (and there’s also a free 30 day trial).

    There’s not really any respectable ’starter’ kits though, that’s just not how the industry works unfortunately. But, for lightsabers specifically, there is a free piece of software called LSmaker that has been developing for some years that can provide ok results. Also, i know people who have pulled off various effects in GIMP and similar software.

    Regards,

  48. BRUNO Says:

    I HAVE A PROBLEM . I CAN T FIND ADOBE AFTER EFFECTS
    FIRST TIME I FIND AE ,BUT I CANNOT OPEN T. PLEASE HELP ME ,PLEASE

  49. admin Says:

    You’ll have to be a little clearer for me, Bruno. Tell me exactly what the problem seems to be.

  50. Chris Says:

    I have a small (?) problem.
    When i switch between layer and composition ( about 9:14 in tutorial), i have got only black window and red cross in composition window.
    Can you help me?

  51. admin Says:

    Hi Chris,

    I’d first ask if you make sure you have your filter on the footage window set to masks, and to make sure your mask is complete. I’m not sure what you mean by red cross, could you possibly provide a screenshot?

    Regards,

    R.

  52. Chris Says:

    I provide screenshot
    http://img262.imageshack.us/img262/7529/problemsx9.jpg

  53. admin Says:

    Hi Chris,

    That happens when you apply an effect to a layer you only have a demo license for.. by any chance have you accidently dropped something like a demo version of Particular on one of the layers?

    Regards,

    R.

  54. Chris Says:

    Maybe (i’m not sure,i use AAE 3 only for two days),before i find your tutorial i use another from this website http://www.metacafe.com/watch/400298/how_to_lightsaber_effect_video_tutorial/
    and everything was good,but when i start AAE3 second time i find problems with every method which i try to use.

  55. admin Says:

    Take a look on your effects palette to identify which effects you have on a layer (under effects > effect controls), you can check this for each individual layer. That red cross is specific almost always to something demo effects apply to a layer, the idea being that you can’t render it properly until you buy the effect. Do you know of any demo effects you’ve downloaded for AE? Or any it may have come with?

    If you still run into difficulties it may be beneficial for you to upload your project file so i can take a look at it.

    Regards,

    R.

  56. Chris Says:

    Ok ,everything works good.
    I change my camera and all problems disappeared.
    Thanks for you help.
    And congratulations - you have the best lightsaber duels. The are just amazing.

  57. Chris Says:

    I have one problem yet.
    Why my lightsaber is lating?
    I have this only when i use other compression formats than avi?
    But avi format has got poor quality.

  58. admin Says:

    Check your composition fps settings and make sure they match that of your footage. Check your render settings to make sure they match up too.

  59. ryan Says:

    I saw that Star Wars Tales thing in your gallery, and i was wondering how id you u do that, me and my friend are making a star wars project and that would look cool at the begining of are project.

  60. admin Says:

    I did that as a favour to someone else’s film. I took some of the original Star Wars logos and edited a few things together, i seem to remember having recreate my own ‘T’ and maybe a few other characters. I think i got away with using Times New Roman and matching up the colour gradients and strokes.

  61. Selman Says:

    Helo, I am Selman
    I know the famous written lightning tutorial but it is to confusing for me. Do you have any project of making a lightning video tutorial. I have searched the whole web but no video tutorials for lightning.

  62. admin Says:

    Check out http://boards.theforce.net/fan_films/b10015/27942205/p1/?22

  63. robert Says:

    hey im tryin to make a video like this but the beginning of it
    does not start out wit lightsabers, so wen i add the mask in
    it shows up at the beginning when i dont want it to, do you know
    how to edit it out or how to not make it show up at the start of the video?

  64. admin Says:

    Hi,

    Just keyframe it off the screen when you don’t want it.

  65. robert Says:

    im sorry but im sort of a noob at this kinda stuff
    so can u giv me detailed instructions on how to
    do that plz? im using adobe after effects for it…

  66. admin Says:

    Twirl down the mask properties, click the stopwatch next to mask shape to keyframe it’s shape/movement. This way you can move the mask on different frames to different places, just move the mask off the side of the visible composition when you don’t want it to be seen.

    Alternatively, you could keyframe the opacity to 0 instead.

  67. robert Says:

    ok thanks alot i really aprreciate yur help

  68. Dave Says:

    Hey,

    Great tutorial, works really well =] How was it that you recorded your screen as you were running through the tut? As Ive looked for various programs but cant seem to find anything useful.

    Cheers - Dave.

  69. admin Says:

    Hi Dave,

    I use Camtasia Studio to record.

    Regards,

    R.

  70. chris Says:

    i am using AE 6.5 .. when i make adjustment layers they apply to the whole video .. how can i make them apply to only the mask?

  71. admin Says:

    I imagine your issue in this case is with the mask itself, as it should be isolating the particular part of the video you want to work with. Perhaps check if it’s complete?

  72. Kjetil Says:

    Hello!
    This was a tutorial made by a genius, indeed!
    But, do you know a program to add sound to a specific frame.
    As in:
    Add “XXX.wav” to frame number 64 for example.

    Kjetil

  73. tho Says:

    i like it! can be for me ! thank

  74. admin Says:

    Hi Kjetil,

    You can add sound to a frame in After Effects.

    Just import your footage and position it to the correct frame like you would with any layer. Be sure to check your audio options in RAM previews and the final render.

    Regards,

    R.

  75. Joshua Says:

    Hiya,

    I am having some trouble as well… Its alot like “Chris”s problem. Whenever I set a layer to “Screen” (in blending mode), it lightens the entire video. After all those adjustment layers, my entire window is almost white…
    Screenshot:
    http://img502.imageshack.us/img502/1654/77089157zm9.jpg

    According to your reply to Chris, the problem is with my mask (duh). However I don’t know what I could have done wrong… I have gone through your tutorial several times, and can’t find where I went wrong. While I am new to After Effects, I am not new to video editing or layer masks. My mask is a complete six point mask just like in the tutorial… But for some reason, it refuses to apply itself to the adjustment layers. Any Ideas?

    Thanks!

    PS: I am using After Effects CS3 on Windows XP.

  76. admin Says:

    Hi Joshua,

    I’m pretty sure your problem is that your black solid layer is in fact, dark grey. Change it to pure black and see if it fixes your problem.

    Regards

    R.

  77. Buwar Says:

    Hello,
    I got an problem and it sarts at 12.00.
    It won’t turn black….
    here are 2 images : http://s240.photobucket.com/albums/ff174/
    buwar/?action=view&current=lightsabertut-2.jpg
    second:
    http://s240.photobucket.com/albums/ff174/buwar
    /?action=view&current=lightsabertut-3.jpg

    ~Buwar

    Thanks

  78. admin Says:

    Hi Buwar,

    This is something i mention a little later in the tutorial, though i realise its a problem at that point. Basically, my footage is black at the beginning, so its not a problem. Just turn off the visibility on the very top footage layer, since it’s only a reference layer (or turn it into a guide layer for the same effect) and you should be good to go.

    Regards

  79. Buwar Says:

    I’m sorry but i’m not very good with this one…
    Could you be a little more precisly?
    thanks

  80. admin Says:

    On your first picture, turn off the ‘eyeball’ on the top most layer (the second footage layer). It’s just being used as a guide, so we don’t really need it. You can even delete it after you’re happy with your rotoscoping if you like, but ultimately it’s just for our reference, so disable it. This way, when you precomp your cores comp into the colours comp, it’ll turn black.

    Regards

  81. Buwar Says:

    thank u.
    And very good tutorial

  82. Dylan Says:

    Hi, I finished making my project and I was wondering how to save it. If you go File>Create Proxy>movie, then clicking…render I believe… it ends up getting all messed up, like the guy will swing his lightsaber but the ae saber won’t follow it at the same speed and then the main video resests itself back to where it should be and it gets messed up again.

  83. Dylan Says:

    Also how do you make the flash effects when the saber clashes?

  84. admin Says:

    You should render from the render queue, you may have frame rate issues if the clips aren’t lining up.

    Contact flash details are in the first couple posts.

  85. Dylan Says:

    When I do that it keeps having issues.

  86. Dylan Says:

    Is that the only way you can save your movie?

  87. admin Says:

    It depends what you mean by save.

    If you want to render to a viewable file type like .mov, .avi, .wmv, etc, then you should always use the render queue. I would only ever use the export file menu for exporting to something like flash.

    You should look into your render queue settings if you’re getting sync problems. Your final render has a frame rate, your composition has a frame rate, and your footage has a frame rate. You should make sure these are all the same.

  88. Mike Says:

    Hey I was wondering how you make the lightsabers flash when they hit each other also is there a way to make the lightsabers look like they turn on.

  89. admin Says:

    Hi Mike,

    There’s some details on your question at the start of this page in the posts.

    Regards,

    Rhys

  90. Rich Says:

    Hey man if you have made a subtraction mask on one frame and you don’t want it to be on the other frames how do you get rid of it later on? because i had to put a mask over my body so that the blade wouldn’t show and its cutting off the blade in an earlier part of my clip.

  91. admin Says:

    Keyframe it off. Hit the stopwatch next to layer shape, and just move it out the frame after you’ve used it.

  92. Rich Says:

    i’v tried that and it still shows up

  93. Rich Says:

    i mean i went back to the earlier part of the clip to keyframe it if off and it still shows up

  94. Rich Says:

    I think i must be doing it wrong coz i’v hit the stop watch next to Mask Path shape and when i remove the the mask it still shows up

  95. Rich Says:

    no worries i worked it out thanks anyway man

  96. Rich Says:

    hey i can’t seem to get the lens flare to work. how do i get it to work?

  97. admin Says:

    What exactly seems to be the problem?

  98. SJ Says:

    If we need to make a lightsaber ignition in the dark, how can we elliminate the lightsaber body and create a glow in the dark generated by the weapon ?
    P.S. The tutorial is awesome and it`s the best on the World Wide Web, thank`s for it :D

  99. admin Says:

    Hi SJ,

    What exactly do you need to eliminate the ‘lightsaber body’ for? Do you mean the hilt, or the prop? For the prop, you’d just be rotoscoping over it.

  100. Mike Says:

    Hi,
    I have a problem
    the problem is that in the movie that i am making one scene has a light saber in it but then in the next scene the lighsaber is not in the cameras view. i took the mask off of the screen and that worked for the most part but then in another scene the color green(the color of the lightsaber) was showing i have figured out that it is a result of colors2 but i cannot figure out how to get it out of the frame for just that one scene.

    thanks

  101. ryan Says:

    umm… do u know where i can download a trial of adobe after effects 7.0

  102. admin Says:

    Adobe stop supplying older versions of their software when a newer version is released. As such, CS3 is the current trial version available.

  103. Anthony Says:

    Hi there. Thanks for posting such a great tute.. It’s great that you’ve taken the time to share a skill that so many will enjoy exploring. I’m finding it invaluable in kick-starting my use of AE.
    I wonder if you have had any ‘interactions’ with Adobe through all of this.
    Problem; For some reason, the stream stops at the 6-7 min mark. I’m foaming at the mouth. Have tried everything I know. Is there somewhere I can just download the clip?
    Regards, Anthony.

  104. Anthony Says:

    Ignore last post - I managed to clear the cached files.. all good.

  105. admin Says:

    Hi Anthony,

    The chances are the server was being a little finicky, if you’d like to try again now and let me know if things are ok - i just opened the tutorial myself and the stream loaded completely so with luck it’ll be fine. No, there’s currently no arrangements for the tutorials to be downloadable, as i prefer to keep the content centered at the site.

    I haven’t had any talks with Adobe (i’m not sure what they’d have to say in all honesty), though i have had offers to translate and/or feature my tutorials from various sites.

    R.

  106. Dan Says:

    Hi,

    Do you use this “Impact Flare Method”?
    Are that the Flashes when the sabers Clashing together?

    How does that work exactly?

    Dan

  107. Kurt Says:

    Hey, man. Great tutorial, it helped ALOT. I just had one quick question that wasn’t covered in the tutorial.

    How do you make the pulsing effect for the saber?

  108. Iamdbat Says:

    very coplicated for beginners like myself - can’t you just make a preset so a beginner can get to grips with rotoscoping instead of all the other stuff

  109. admin Says:

    Kurt: Pulsing is pretty easy. If you look in the Window options, you should be able to find the Wiggler. This essentially allows you to set a preference to oscillate, use it on the mask expansion of the core layer.

    Iamdbat: It’s a simple process ultimately. As i mention in the tutorial, there is a point for beginners where you could stop, and simply apply an adjustment layer of the cores to add a glow. You need not follow the whole process.

  110. chris Says:

    When i go back to the composition the light doesnt come up it stays the same like when its not rendered

  111. chris Says:

    its at about 9min 5 sec to 9m in 20 sec in video

  112. stephmeister Says:

    Nice tut. could you please give more details on how to do the flickering/pulsing of lightsaber cause your explanation is too brief. I tried to do it on the mask expansion but the core becomes very big and the becomes very thin. Plz man help!

  113. admin Says:

    You might be better off putting it on the mask feather perhaps. Expansion is workable but you have to use very small numbers for the magnitude i would imagine, it’s been a while since i’ve done it but it works in theory and i remember this being the general way most people achieved it.

    Of course, in the PT the cores don’t flicker.

  114. Rafal Says:

    Hi. I have a big problem.
    I’m using AE 7 (just like You are), and I occur problems, that some options you use just do not work.
    1. I don’t have the layer mode switch in timeline to change the layer to “screen” (When i open your tutorial file project it’s there, but In my “new” projects its not. I don’t have the “Trk mat” switch also.)
    2. I simply can,t preview the effects added to the layer. When i turn the view to the “composition” viewport, The fill and blur modifiers just do not display there. I see only the image.
    I don’t have the three timeline tabs ass well (timeline final etc.)

    Please help, I have no idea how to turn this all on. Thankyou

  115. admin Says:

    Hi Rafal,

    For your first problem, simply right click on the bar above the footage on the timeline. You should get a menu that will allow you to enable and disable certain display options for the timeline, which is where you’ll find modes.

    For your second problem, i think you’re referring to working in layer window for masking? You can switch between that layer and the composition to see the effects applied or work just on the mask.

  116. Rafal Says:

    No, no. I’ve been switching from the mask view to the composition view and haven’t seen the work results. But when I’ve turned the Screen mode on, the second problem repaired also. Thankyou for your help, and great tutorial:)

  117. Matt Says:

    Great tutorial,
    I originally used ryans tutorial and have become rather adept at the sabers. I do have a couple of questions though. Fisrt With the lens flare effect is there anyway to remove the articles, ( reflection circles) , and just keep the glow? Aslo in RVD2 when the sabers are together and moving, an electric “friction” ball or whatever is there where the 2 sabers are touching and moving. Is this a flash effect how do you make that.
    And lastly ive searched in vain for a tutorial on how to do the molten metal/ concrete effect when a saber burns or slashes them( like in RVD2) would love to learn these things next as I have pretty much exhasted the tutorials.
    Thanks in advance.

  118. admin Says:

    Hi Matt,

    People often blur the lens flare to achieve a similar effect, you can experiment with the different kinds of lens flares to see which works better.

    I don’t recall seeing the effect you mention so much in RvD2 as RvB, but generally if we’re talking about the same thing it’s done by adding an extra mask to the core layer.

    The molten metal effect is actually explained in the behind the scenes footage you can get of RvD2, check out ryanvsdorkman.com for mroe info. I may also be able to touch upon this kind of thing in future tutorials.

  119. Matt Says:

    thanks for responding, Ill try bluring the lens flare. What I meant in the second question was when two lightsabers are touching ( not the contact flash) and they move around against each other , there is a ball of energy or somthing right at the center of where the sabers are touching.
    I bought the RVD2 dvd right when it came out. watch they entire making and extras. For about 30 sec Ryan quickly mentions a few things he did to eachive the effect but nothing comprihensive.
    I love how there is a site like this where one can ask these questions and improve thier all arond saber effects in AE.
    Man a tutorial on the molten effects would be wonderful

  120. admin Says:

    With the two sabers touching, the bulb effect is usually created by adding another mask below the glow layers, and masking the shape out.

  121. Bob Says:

    Ok, I’m on my 3rd saber test and its like 30 seconds long. I have been using Ryan W’s tutorial. I’m glad I found your tutorial cause its taking me about 4 hours for every 15 seconds masking the cores pojnt by point. There are 2 sabers in the footage and Im basically only using 2 comps (1 for each saber). I finished the 1st comp and rendered and I think it looks pretty good. After this ‘test video’ is done Im gonna make a small movie at work for the Christmas party. (I should have enough time!) :) Here are a few questions for ya:

    Im using an Canon HF100 HD camera and its 1440X1080. When I render the 30 second clip with just the one comp its taking just over 4 gigs. Is there a way to render in a little less quality or format to lower the file size? Also, and I know you don’t work with Premiere, I can’t seem to get 1440X1080 to export to video properly. It kinda cuts out the sides and makes the scene more…thin?

    And I totally agree with Matt about that object cutting, molten effect. Do you know how objects get cut in half? Like in the Six In The Morning video when he cuts that PVC pipe in half in his garage.

    Sorry for the long post but I’m excited to use your method for my next project and save hours of my life! I will be Youtubing my current project when I’m done and I’ll link it here. Thanks for all the help!

  122. Bob Says:

    Oh.. one more thing. As far as coloring the props with tape. Do you recommend using flourescent duct tape? What is the best method to highlighting them? Right now Im using bright pink tape for either end and alternating green and white stripes the rest of the way.
    And how do I get a better view of the ‘fan’ when they are being swung? There are times when I can’t even see the prop when its being swung too fast! Let alone trying to mask when the prop is pointing at the camera.. what a pain. I have a hell of a lot more respect for Star Wars after this!

  123. Bob Says:

    Sorry, I wish I could think of these questions all at once. There is a spot in my footage where one guy hits the other in the leg. Well, I added a clip of sparks from Detonationfilms.com right at the contact frame. Problem is I can’t figure out how to use keyframes to move the clip with the moving camera and actor. Is there a way to do this? The spark looks good at that frame but when he moves back and the camera moves the clip stays and it looks kinda noobish. Thanks again and plese don’t ban me! :P

  124. admin Says:

    Where to start Bob, where to start..

    You need to look into your compression settings for file size. When you add your composition to the render queue, you can click on its render information. From here you’ll get a display that will let you choose from a list of file types to export to. Try a quicktime MOV file type, there’ll also be a menu that lets you choose the codec, try something like sorenson or H.264.

    I imagine what you have at the moment is either uncompressed or in some lossless format. Decent compression will bring a 30 second clip down to 10-100mb or so, depending on what settings you use.

    As for your thin issue, if you mean when rendering out of AE, then in the same area i just described you can check your resolution output settings. NOTE that you’re using the render queue, and not File > Export. That’s very important.

    For the pipe. There’s a lot of different ways of cutting something in half. I can’t say for sure how they did it in Six in the Morning, different situations call for slightly differing techniques. Sometimes people secure their camera down with a tripod, record a copy of the background with no-one in it; put the actors and props into the scene and then film the actor slicing through the prop (often with a shortened blade). Then you can paint out the area where the prop used to be before you cut it, frame by frame, with the background plate you took. Often the bit of the prop flying away is just masked and animated out. This is a fairly low budget way of doing things. For example, in RvD2, they simply made a full CG replica of an arm. In Six in the Morning my guess would be that the pipe was cut in half to begin with, and that the prop blade just knocked it off as the guy hits it and then some post work was done to make it look more solid.

    The duct tape idea is often used for props. Bright orange tends to work quite well. The tape will help with the fan, as will higher definition cameras and frame-rates. But it’s a common problem. Often in this situation you have to take a good guess. A good method is to mask the frames you can see, and then let AE automatically interpolate the mask between those frames (which it will do automatically). So say frames 1 and 4 in the fan are visible, mask them, and AE will auto-interpolate frames 2 and 3. Obviously you can’t do this with a massive number of frames inbetween or a massive movement from the prop, but if its the start and end of a fan movement, it works quite well, then you can tweak the results.

    You can keyframe the position of the spark clip to follow the actor, in a similar way to keyframing the mask. Simply set keyframes every time you need the clip to move and it’ll stick to the places you set.

    Hope this answers your questions adequately,

    R.

  125. Matt Says:

    Hers a link to a video I did of my nephew and son. http://www.youtube.com/watch?v=3_bXEQOP0U0 . I did this using ryan’s AE tutorial. I just have a $150 camcorder and the blurring was horrible as well as video quality. 42 seconds of film still took me over 60 hrs with all effects, music etc.

  126. Bob Says:

    Yes, thanks a lot. I actually did figure out the video clip keyframe thing last night.. I love when a plan comes together. I do know for a fact that the render is lossless.. I even changed the resolution to half (720×540) and it was just over a gig. I’ll try some other setting for rendering.

    Isnt H.264 for HD? And can you briefly explain the different codecs? Like what makes one good over another. Thanks again.

    Nice video Matt, mine won’t have quite as much effects though. So far its been 16 hours for 30 sec.. and counting. :P

  127. admin Says:

    Well there are far too many codecs to explain (and i don’t claim to be an expert on all of them) however, sorenson and H.264 are common for internet compression since they produce some of the best file sizes vs quality. If you want lossless formats for moving between applications, it’s better to use an image sequence of PNG or TGA images.

  128. Bob Says:

    More questions. Im trying to add a burn mark onto the floor where a saber hits, do I use Track motion or Stablize if I want something to look likes its staying on the footage.. I actually put what I have so far on Youtube here–> http://www.youtube.com/watch?v=cuCz_LpU0uM

    I cannot get the track motion to work right, I have tried several areas to track but it somehow gets lost during tracking. On the video, watch the burn mark on the floor.. arghh..

  129. Matt Says:

    I’ve not used the track motion or stabalize before. You can see some blaster marks on walls that I did in this video. http://www.youtube.com/watch?v=3_bXEQOP0U0. I had to have the camera completly stable ( on a table on the stage in this instance) , A tripod would work better. THis way the mask you use for the burn mark dosent have to be motion tracked. You’ll notice in the very last sceen of the video there is no blaster marks on the walls from the previos sceen and that is becasue I was actually holding the camera and couldnt follow the blaster marks properly without them looking like little black bugs crawling over the wall.
    I think the short and short here is if you film without any movement or vibration from the camera at all you dont have to do the tedious chore of trying to track where the burn marks should be.

  130. stephmeister Says:

    can you explain how did you do the saber ignition and retraction please? I did it with the hilt only but is looks so fake. please help!

  131. Bob Says:

    Alot of patience.. I tried the ignition effect here http://www.vimeo.com/1658622
    You can actually do it with a blade on there, but you have to Mask-Subtract the blade part that you dont want to see in every frame until it is fully extended. Or, you can draw the saber by hand, which is what I did in the video. It is a REAL pain but can be done. The trick is to zoom in real close and get your points as close to the hilt as possible. Even if its off a little with a really close zoom chances are you won’t really notice it when you zoom out.

  132. Bob Says:

    Oh, BTW.. I also tested a blaster to saber deflect test.. comments please! :) Funny thing is that when I filmed it we had no idea about the blaster thing, I just wanted to render a fast moving saber. He almost swings it like a golf club very casually.. good times. http://www.vimeo.com/1616178

  133. admin Says:

    Looks good Bob, though it probably needs to be a little faster. You might also try reducing the opacity on your ‘add’ glow layer or possibly shrinking your core mask a little; it looks a little chunky.

  134. Jorge Says:

    i have a problem,i did everything in the tutorial but at 12:10,after making a new composition,when he turn the mode to screen,the light saber change but mine,it change the whole video all little bright,not the saber,what did i did wrong?when he color balance,his saber turn all blue and mine turn the whole video blue,please help me

  135. admin Says:

    When you move the comp into the new comp, what you need to do in the ‘cores’ composition is turn off (the ‘eye’ button) the top footage layer. This should be the first layer in the cores comp, it’s just for reference. The reason mine goes black and yours doesn’t is purely coincidental, as the first frame of mine is black anyway. Just be sure to turn off the top footage layer in the cores composition and you should be good to go

  136. Pedro Says:

    Hi, I am making a lightsaber video for my Video Production class. I have masked our saber props but I cannot seem to add color to the sabers. I am not quite so sure why though. I’ve followed exactly what Ryan has said but it still is a no go. Can somebody give me some advice?

  137. johnny Says:

    hi i followed the tutorial and i only have the color’s blue and green but is there a color balance combination u can give me for either red or yellow something like that cause i got blue but the red woulb be cool to.

  138. johnny Says:

    hey it’s Johnny again i will say again thank you really but the last comment i was just wondering if the the color balance numbers that are for the compositions is there any color balance numbers u can plz give me for the red like ryan wieber’s like a really good one iv’e been trying and it’s really hard plz help!

  139. Sikuri Says:

    hello,
    I’m runing MAGIX movie edit pro 14 plus… i was wondering how you stick a lightsaber to an object in the video so that it follows the object through all frame? E.G; Filming a video, using a prop as the lightsaber blade, when editing, how would i stick or “magnetize” the lightsaber image on top of the prop in the video? How did you do it? it seems to be easy, but i am really stuck XD
    please Help.

  140. Rhys Enniks Says:

    Hi

    Unfortunately i know nothing about MAGIX. The software i use for this effect is Adobe After Effects. The general principle is to create a mask and animate it to the object, frame-by-frame, with ‘keyframes’.

  141. johnny Says:

    yo hey man don’t want to sound rude or anything but i really want to know if u know how to make different colors plz
    thnx

  142. Rhys Enniks Says:

    Hi

    Sorry for the late response, the site has been having some problems and i’ve been elsewhere.

    Ultimately i don’t have any set numbers for any other colours. There are hundreds of lightsaber videos with dozens of colours floating around that have been made in AE, and not many of them share the exact same numbers. People have gotten quite pain-staking over making an exact blue, but the other colours (except maybe red) are often not fussed over.

    However, i can refer you to a thread with some 538 pages of lightsaber discussion generally in AE http://boards.theforce.net/fan_films_fan_audio_scifi_3d_forum/b10015/22056807/p1/?8070 you’ll find a lot from there.

  143. johnny Says:

    thnx but whenever i go to the link the methods don’t work do i have to have an account to see them?

  144. JOhn Says:

    Hey, The lightsaber effect i created succesfully is on throughout the whole clip i imported to after effects how do i take it of for the first frames where the lightsaber is not yet on screen

  145. The Pure Pwnage Says:

    Ummm I dunno If it’s a stupid question but when I change the colour balance It changes the entire image’s colour balance and the whole thing looks kinda blueish greenish… Am I missing a step? I’ve watched the video a couple times nowand I’ve noticed that yours only changes the colour of your saber but I can’t seem to be able to get it to stop making the entire screen turn blue…..

  146. Jacob Says:

    Hey guys does this work on the mac ive been searchin for months and ican fimd anything.

  147. Rhys Enniks Says:

    Yup it works on a Mac.

  148. Rhys Enniks Says:

    Hi.

    This is something i mention a little later in the tutorial, though i realise its a problem at that point. Basically, my footage is black at the beginning, so its not a problem. Just turn off the visibility on the very top footage layer, since it’s only a reference layer (or turn it into a guide layer for the same effect) and you should be good to go.

  149. Rhys Enniks Says:

    John, just keyframe it off the edge of the screen.

  150. kaisuke101 Says:

    can i ask something?
    how come i dont have the black background that you have?
    please help me! thank you a lot
    ^_^

  151. johnny Says:

    is there a downloadable version of this tutorial if not u really should make one plz.

  152. Rhys Enniks Says:

    There’s no downloadable version. There’s no plans to provide a downloadable version in the future.

  153. johnny Says:

    where do you get an unrotoscoped video of rvb at because i go to the old forums and click the links and it just takes me to micheal frisk.com and yousendit.com and they don’t work so do you have any ideas i want to work on it like you did even though the video is old and i can’t send it in so please help me.

  154. Molly Says:

    Hey,
    Did you do that really cool saber fight on youtube? (i see a frame from that video at the top of this page) Amazing.
    Also, I’ve been trying out AE for the first time and LOVE it. But when I was working on a lightsaber clip for a short film, I had to suddenly change accounts on my Mac (long story). So I drag it into the other account. I open it up (i had had some trouble before) and when I try dragging the footage down, it’s all black. Any help?

  155. Rhys Enniks Says:

    Hey Molly,

    Are you referring to this happening when following my tutorial, or in general?

  156. johnny Says:

    hi thnx for the tutorial love it but in a shot when your going frame by frame and u can see the blur of your prop, and sometimes it gets to a point where it dispears for a second i know this is normal now how do you get past that so you can find out where the edges are to rotoscope it? because you can be rotoscoping it and then you can’t find the edges and i don’t want to guess it might be wrong! please help

  157. Rhys Enniks Says:

    Generally when the edges disappear, it’s down largely to guess-work. However, you can make your estimations a lot more accurate by locating the edges on frames before and after the area where the props are disappearing, and masking those frames. AE will then interpolate the mask between those two positions, which can often give a good indication of where the blade would be in the intervening frames.

    This doesn’t work in all situations, but in fast, fanning blade scenes, it will often work quite well.

  158. nb Says:

    good job with the tutorial, but when I export my file (as a .avi), the saber effect gets ahead or behind the actual video, revealing the stick I used as my reference. is there a way I can fix that?

  159. johnny Says:

    cool thanks because i’m probably going to make a film with lightsaber mostly fighting but it will be pretty much grenscreened so i’ll try not to make it look as fake as it can

  160. Michi Says:

    Where did you get those lightsabersticks as in the film?

  161. Bertram Prevo Says:

    Hi just came across your blog and have been browsing around some of your posts and just wondering why you chose a Wordpress site dont you find it difficult to do anything with? Been thinking about starting one.

  162. Rhys Enniks Says:

    Yeh it can be a little difficult to deal with when you’re trying to breach the gap between design + your own code and fitting all that in with Wordpress. Certain parts of the site, like the links at the top, aren’t Wordpress pages and are managed separately, and it’s not too nice having that divide.

    Wordpress does make things more awkward to manage in terms of structure, design and code but ultimately this site is just a blog and it’s obviously very good as a blogging platform. I think if i was to do it over again (and i will) then i’d make the site as modular as possible, isolating wordpress to a very discrete area where the blog can be managed and make as many hooks into the backbone code that i’ve written as possible.

    If you want a pure blog then i think Wordpress is great, there’s tonnes of plugins and templates you can just drag and drop to have a fully functional site in minutes. If you’re going to spend a lot of time in the theme editor however, then not so much. There’s also a pretty high risk of getting your blog hacked if you don’t have the proper security and keep up to date.

  163. Daniel Says:

    Whats the settings to achieve the Red color?

  164. Rhys Enniks Says:

    It’s been some years since i’ve done any lightsabers (and many hard drives) so i no longer have any numbers to hand. You should try posting at http://boards.theforce.net/board.asp?brd=10015 .

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